Cutting Through Classical
With the release of Bob Dylan’s new album Tempest writer Philip Clark explores folk, Americana and the relationship between Copland and Dylan. Read the Tempest review and explore the music.
In the aftermath of the September 11th terrorist attacks Bob Dylan, that most American of American icons, began prefacing his gigs with recordings of music by Aaron Copland, that most American of American composers. Read more
The Spotify Sunday playlist this week has been selected by Philip Clark and inspired by his Copland/Dylan article where he explored the relationship between folk and Americana.
It includes key works and recordings for both Copland and Dylan. We hope you enjoy!
The best seats in the house at a fraction of the price. Opera at the cinema saw 300,000 people worldwide flock to the flicks to watch what was on at the Royal Opera House last season. Tony Hall, chief executive of the ROH, talks to Hannah Nepil about the successes and challenges of bringing opera to the big screen.
We also highlight our top picks from the 2012-2013 operatic cinema season, all in HD with some performances streamed live.
“It’s wonderful to be so close up and see things that you otherwise wouldn’t see. It’s not even the best seat in the house. You’re somewhere over the orchestra pit.” To an outsider, it might sound as if Tony Hall is describing some kind of out-of-body experience. In fact, the chief executive of the Royal Opera House is effusing about the benefits of seeing opera on the big screen. Read more
The Sunday playlist has been inspired by the Voyager probes reaching the “final frontier of the solar system” earlier this year. The Golden Record, included on both Voyager spacecrafts, contained sounds and images selected to portray the diversity of life and culture on Earth. We hope you enjoy.
This playlist contains a small selection of the music from The Golden Record, as selected by us. To find a more detailed playlist head to this Spotify Classical Playlist.
We invited the music writer Paul Morley to report on two of classical music’s biggest awards ceremonies, the Classic BRIT Awards and the Gramophone Awards, held a few days apart in London recently. To our mind, each represented very different attitudes to classical music and we were interested to see what an experienced cultural and musical critic and commentator from outside classical music would make of them. We couldn’t have predicted the overwhelming – and largely supportive - response to Morley’s first review of the Classic Brits. And now here’s his second, from the Gramophone Awards.
Despite being held at The Dorchester the more professionally sedate and carefully modulated Gramophone Awards seemed set on a barely decorated desert island. The gaudy Classic Brits vessel might steam past without having any idea that anything was happening there, give or take a couple of earnest oddballs trying to make fire by rubbing sticks together. This was the quiet, dignified approach to classical music; a modest, almost mute celebration of the music as something ghostly, intense and moving. It was for those in the know with their own refined tastes and knowledge, with standards miraculously unspoiled by commercial pressure, fickle popular culture or temporary music fads and fashions. Read more
john marshall/jmenternational
Handing out or receiving awards, or just hanging out, at the 2012 Classic Brit Awards at the The Royal Albert Hall, was ITV’s idea of a dream team – Aled Jones, Andrea Bocelli, Victoria Pendleton, Andrew Lloyd Webber, Russell Watson, Gareth Malone, Gary Barlow, Joe McEllderry, Laurence Llewelyn-Bowen and John Suchet. I thought I’d died and lost the remote control. Read more
The London Games Festival is in full swing around the city, and orchestras are taking to the stage throughout the US to perform soundtracks from well-known video games to an audience of thousands of teens at Video Games Live. This playlist is an introduction to video game soundtracks, orchestrated and performed by many well-known orchestras.
Read the article on new symphonies for a video games generation.
The London Games Festival is now on across the capital bringing hordes of teenagers (they’re mostly teenagers) out of their bedrooms to gawp at the latest shoot ‘em ups and fantasy sagas. But don’t dismiss video games as just another way for kids to waste their precious youth – the medium is actually inspiring the creation of a new symphonic sound for the digital age, bringing classical music into the scope of pop-culture consciousness. Video game soundtracks, performed by classically trained musicians, are breaking into the Billboard Top Ten. Meanwhile, children around the world are performing renditions of their favourite video game music by learning piano, guitar and violin. Rob Crossley reports from Video Games Live in Los Angeles.
The floor of the Nokia Theatre in Los Angeles trembled as a 110-person orchestra burst into life with that unmistakable balance of power and finesse that classical music is renowned for.
Professionally trained percussionists and a sweeping string section fed off the energy of composer Russell Brower as intense beams of light fell across the ensemble. Yet, had you momentarily broken your gaze from the spectacle, there was one thing that seemed out of place.
It’s awards season on the classical music calendar with the first to dust off the gongs being the Gramophone Awards. Gramophone magazine, in case you didn’t know, was founded way back in 1923 by Whisky Galore author and music lover Sir Compton Mackenzie, so it certainly knows its recorded music. This week’s awards honoured over 20 of the 750-plus classical recordings released in the past 12 months.
You can read about them all at gramophone.co.uk but the award you really should know about is Recording of the Year that went to French conductor Lionel Meunier and his Baroque vocal group Vox Luminis for their disc of Schutz’s Musicalishce Exequien, a piece that inspired Brahms to write his German Requiem. ‘This was my first day in London,’ said an emotional Meunier on receiving his award, ‘and it has turned out to be one of the most memorable of my life.’
Meanwhile, in typically calmer fashion, the young, self-assured British pianist Benjamin Grosvenor followed him on stage to collect a brace of awards - Young Artist of the Year and Instrumental, for his Ravel, Chopin and Liszt CD on Decca - before calmly setting about a brace of virtuoso pieces on a Steinway piano handily placed nearby. Enjoy our exclusive video of Benjamin talking and performing earlier this year (click on the image below to play the video).
Maltese tenor Joseph Calleja scooped the public vote to win Artist of the Year. And what a year it has been for him with performances at the Last Night of the Proms, appearances in many of the world’s major opera houses and his new CD Be My Love, a tribute to the popular tenor Mario Lanza. Read more
The weekend is almost here so we’ve put together a playlist based on the fantastic pianist and conductor Murray Perahia. It’s in anticipation of Sony Classics massive boxset release The First 40 Years and our playlist only scratches the surface but helps to give a taste of Perahia’s incredible catalogue.
Have a look at the impressive collection here on Amazon.