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Win tickets to the London Sinfonietta’s Landmarks Series and hear the Quartet for the End of Time

Submit your details here for your chance to win a pair of tickets to London Sinfonietta’s Landmarks Series.

Landmarks is a new concert series created and produced by the London Sinfonietta and Netia Jones/Lightmap, which explores how we can connect the key points in the landscape of modern music. Immersive concert experiences will seamlessly weave together live world-class performances by the London Sinfonietta and integrated film created by Netia Jones. This series will leave audiences inspired and informed about music that has had great influence on contemporary art and culture, yet is so little understood by a wider public.

London Sinfonietta Landmarks Series
In 1939 in Görlitz
, Germany, Olivier Messiaen was marched into a Nazi concentration camp. In his jacket was a pocket score of Alban Berg’s Lyric Suite. While incarcerated in Stalag VIIIA prisoner-of-war camp he composed and gave the first performance of one of the most important and affecting chamber music compositions of the last 50 years, the Quartet for the End of Time.

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The return of Not So Silent Movies…

Jarvis Cocker, Oscar-winning composer Dario Marianelli and cellist Philip Sheppard launch and perform at Not So Silent Movies…, an often hilarious, all-star improvisation to the silent comedy classics.

Group shot of stage and musicians at Not So Silent MoviesWhen it comes to creating split-second comic mayhem, cellist-composer Philip Sheppard takes his inspiration from such masters of the silent screen as Harold Lloyd and Buster Keaton. In the old movie houses a lone pianist improvised along to the on-screen antics; but once a month at King’s Place concert hall, it’s what Sheppard calls ‘Whose Line Is It Anyway? meets chamber music’, as he and a crack line-up of players spontaneously generate a soundtrack for silent comedy classics.

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Win one of four Gramophone CD Bundles

In light of two recent reviews by Paul Morley – the Classic BRITs and the Gramophone Awards, we feel it only necessary to pull together a bundle of album CDs by artists highlighted at the Gramophone Awards.

The Gramophone CD Bundle

We have four CD bundles to give away. Each includes these albums -
Benjamin Grosvenor: Chopin, Liszt and Ravel
Joseph Calleja: Be My Love
Claudio Abbado: Mozart Piano Concertos 27 & 20
Murray Perahia: Chopin Etudes

For your chance to win one of these fantastic bundles please answer the question below and submit the form.

Question: What age is Benjamin Grosvenor?
A) 18
B) 19
C) 20

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Win a pair of tickets to The Night Shift

The Night Shift, brought to you by the Orchestra of the Age of Enlightenment since 2006, is a unique classical night, putting the music in an entirely different context – late-night, laid back and contemporary in atmosphere. It is an hour-long classical concert but boasts other performances and live DJs throughout the evening.

The Orchestra of the Age of Enlightenment
The OAE is offering a prize of two pairs of tickets for The Night Shift at the Queen Elizabeth Hall, London, on Thursday 22 November, 2012. The winners will also receive a box of Lindt chocolate and a free drink.

To enter, all you need to do is answer the question below, fill out and submit the form, and keep your fingers crossed!

Question: What year did The Night Shift first start?
A) 2006
B) 2008
C) 2010

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Sunday playlist: Orchestral video game music

The London Games Festival is in full swing around the city, and orchestras are taking to the stage throughout the US to perform soundtracks from well-known video games to an audience of thousands of teens at Video Games Live. This playlist is an introduction to video game soundtracks, orchestrated and performed by many well-known orchestras.

Read the article on new symphonies for a video games generation.

New symphonies for a video games generation

The London Games Festival is now on across the capital bringing hordes of teenagers (they’re mostly teenagers) out of their bedrooms to gawp at the latest shoot ‘em ups and fantasy sagas. But don’t dismiss video games as just another way for kids to waste their precious youth – the medium is actually inspiring the creation of a new symphonic sound for the digital age, bringing classical music into the scope of pop-culture consciousness. Video game soundtracks, performed by classically trained musicians, are breaking into the Billboard Top Ten. Meanwhile, children around the world are performing renditions of their favourite video game music by learning piano, guitar and violin. Rob Crossley reports from Video Games Live in Los Angeles.

Orchestra performing at Video Games Live at the Nokia Theatre in Los Angeles
The floor of the Nokia Theatre in Los Angeles trembled as a 110-person orchestra burst into life with that unmistakable balance of power and finesse that classical music is renowned for.

Professionally trained percussionists and a sweeping string section fed off the energy of composer Russell Brower as intense beams of light fell across the ensemble. Yet, had you momentarily broken your gaze from the spectacle, there was one thing that seemed out of place.

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The Pulse #2: Checking music’s beating heart

This time to check music’s beating heart, we have Jonathan Lennie from Time Out spilling the beans with his take on various albums, events and even the Big O (meaning Opera), that you may want to treat your eyes and ears to over the next week.

For Your Playlist: Choral symphonies, we’re gonna need a bigger stage
The Gig: Classical Music in Pubs
The CD to buy
The Composer Anniversary: Frederick Delius (1862 – 1934)
The Event: The Big Gig: The Ring Cycle

Choral symphonies: We’re gonna need a bigger stage

Not to be confused with oratorios or operas, the choral symphony is defined by the choir being incorporated into the structure of the orchestral work, rather than just taking its turn.

Beethoven’s Ninth (1823)

The original, first heard in 1824, broke the symphonic rules by including a choral finale. Ending with the words of Schiller’s ‘Ode to Joy’, it is easily the best known and still the greatest in this genre.

(The Philharmonia Orchestra, Chorus and soloists under Esa-Pekka Salonen perform Beethoven’s Ninth Symphony (‘Choral’) at London’s Royal Festival Hall on Sept 27.)

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Sunday playlist: period pieces

To whet your appetite for our post on Finchcocks instrument museum, listen to our playlist of period keyboard instruments featuring clavichord, harpsichord, fortepiano and virginals, plus stringed instruments of the time. A very different sound for sure, but it’s amazing how the ear adapts and finds new sonorities to enjoy!

Secret Prommer #7: Last night we had a party!

So the Proms is over for another year, waving its jaunty Union Flag and blowing party poppers in celebration. Our undercover reporter was there for many of the concerts, not least the last. Only the Brits could have dreamed up the ticket allocation but as he say, it works and everyone whose lucky enough to join the fun, has a ball.

The Olympians on stage at the Albert Hall

‘The concert’s the least important part of the day,’ one Prommer told me as another champagne cork flew across the South Steps of the Royal Albert Hall. I know what he means: for all the controversy over dubious notions of jingoism and the Guardian-reader’s typical horror at the thought of Britannia ruling the waves, the Last Night of the Proms is our end-of-term jolly, our chance to let (what’s left of) our hair down for a night of undiluted musical fun. And, despite the poopers, the party starts early.

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Secret Prommer #6: Pulling out the stops

Our undercover Prommer reports from the floor, climbs up to the lofty heights of the Albert Hall and feels the intense vibrations from Jupiter, the Hall’s grand organ, at full tilt with an array of bells and bass drum. And later ponders on the meaning of silence against the softly dying shimmer of a gong and tam-tam…

Cameron Carpenter playing the organ

Copyright BBC / Chris Christodoulou

Much as we Prommers love our Hall – our home for the summer months – there’s one angel in the architecture that barely gets a mention. Which is ironic, since we stand staring at her all through the concerts. She’s called ‘The Voice of Jupiter’, the largest organ in the country. And yet all we usually hear of her is as an accompaniment to some choral numbers or as a bolster for the rousing climaxes of orchestral works by Elgar, Tchaik and the like. Organ recitals tend to be apologetic affairs (and organists are uniquely adept at concocting excuses for why nobody turns up to their concerts).

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